The silent Keystone comedy, Kid Auto Races at Venice, should have been exactly that — a newsreel documenting a soapbox derby race. But as children race along an audience-lined pathway, a curious fellow wearing a bowler hat and baggy pants emerges … Continue reading When Charlie Chaplin comes to town
Buster Keaton died forty-five years ago today, and Silent Toronto would like to offer posthumous thanks for all the laughter that has filled (and continues to fill) Toronto cinemas. Seven Chances premiered at the former Shea’s Hippodrome in October, 1925. Last year I was fortunate to attend a screening at Casa Loma where the film was accompanied by Clark Wilson at the helm of the mighty, rumbling Wurlitzer organ. As I wrote in the Toronto Star in March, 2010, this organ was no stranger to Keaton’s farce — it was in use at Shea’s Hippodrome when the film premiered. It … Continue reading Buster Keaton 1895-1966
With the inaugural Toronto Silent Film Festival currently underway, it’s safe to say that a healthy silent film renaissance is underway in Toronto the Good. The last year has been rife with various celebrations of silent celluloid: Nuit Blanche, Luminato, the Danforth Music Hall’s 90th anniversary, outdoor screenings during TIFF, the Cinematheque’s various offerings — not to mention the semi-monthly Silent Sundays retrospective I run at the Revue Cinema — have all contributed to an amazing revival of the genre. For the TSFF, whose programming varies from Buster Keaton’s Seven Chances (accompanied by Clark Wilson on Casa Loma’s roaring Wurlitzer!) to … Continue reading The Lost Films of the Loew’s Theatre
veilletteinto.com 