To coincide with our upcoming Silent Sundays screening of Eisenstein’s pro-labour Strike on May 1, we examine how the arrival of sound pictures affected the livelihood of silent film musicians. The successful commercialization of synchronized sound films in the late 1920s was arguably the medium’s most important technological achievement since its invention. But often neglected is how the costly conversion to sound systematically put thousands of silent film musicians out of work. In Toronto, sound films first arrived at the Tivoli, at Richmond and Victoria Sts., when the Fox Movietone film Street Angel premiered on October 5, 1928. As Luigi … Continue reading You’re fired: Silent film musicians & the talkie revolution