Before the pictures learned to talk, they stuttered. Talking pictures settled permanently in Toronto in late 1928, but it was far from the first time Hogtown movie-goers were exposed to the concept that the flickers needn’t be silent. In November of 1924, four years before the Tivoli and Uptown Theatres were wired for all-talking pictures, those attending the premiere of Elinor Glyn’s His Hour at Shea’s Hippodrome were treated to short subjects from radio pioneer Lee de Forest‘s Phonofilm, a sound-on-film process. On the screen, an orchestra performed “Come on, Spark Plug,” the sound modestly filling the auditorium while the … Continue reading Talking pictures in the silent era